Keith has always lived between two passions: film and music. He studied film years ago and has worked as a video editor, but at the same time he has been writing, recording, and performing music in different genres and moods. Some of his songs have even made their way into films, short films, and corporate projects. For him, cinema and music are not separate paths—they are part of the same language that inspires everything he creates.
That cinematic way of seeing the world is also present in how he makes music. Keith believes that every song should have its own world: its own atmosphere, its own characters, even its own story. His new album, The Mountain, is the clearest example of this vision. He didn’t want to make a simple collection of tracks, but rather a complete story—an experience meant to be lived from start to finish, much like a film or the great concept albums of the 1970s.
In today’s world, singles and quick listening dominate. But Keith misses the days when you would put on a vinyl record and let it play all the way through, no skipping, no distractions. That’s the feeling he wanted to bring back with this album: a continuous journey where each song naturally leads into the next.
The interesting thing is that this project came together almost by accident. While working on a no-budget feature film with a friend, he found a short window of time, and in just a few weeks the songs began to fall into place—like pieces of a story he hadn’t planned but needed to tell. That’s how The Mountain was born.
For Keith, this album is an invitation. To listen without rushing, to climb step by step, and to see each song as part of the same journey. The Mountain is more than music—it’s the meeting point between his love for cinema and his passion for sound.
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