Jared Bond is one of those artists you need to listen to nowadays, in an era where everything sounds so similar and repetitive, and where music is often made entirely on a computer. Bond arrives with guitars and a voice so perfect for the genre that it gives hope for independent music. “Gross” works because Bond’s guitar and voice complement each other as if they were a single instrument. In other songs, Bond also always works with the guitar as the main instrument—a style that is not easy to execute, let alone to complement. In the world of cinema, using Bond’s music as a soundtrack would be fascinating; it fits perfectly in genres where characters are reaching a climactic moment. Bond is a genius, and you need to listen to him.
In one of his interviews, Bond comments that “Gross” is a political song and a cry against greed; it’s an outlet, a way to process his frustrations, and what better medium than art to create and release that anger. Without a doubt, Bond builds music from feelings that aren’t always pleasant, and that’s what makes him different
With dissonant chords and unstoppable energy, “Gross” sounds so crisp. The artwork and covers of his songs also reflect who he is as an artist: peculiar, strange, yet brilliant. He materializes his ideas, and his covers are just right for his music.
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